Hey Sim, I had just reached out by email for a question on Impromptu #3. When playing, each note is written as is, correct? Instead of if an alteration was on the previous note, the alteration holds to the next note?
I've been going through your book lately with First Lessons in Bach. Revisiting Absolution and hopping around a few of your other pieces like January and Compline. Shelter, Coda, and Drift are on the backburner and I think I'll have to really give the time to Hush and Turn (Really have to give Turn a good chunk of listens... something about those 32nd notes!)
Absolution reminds me of the beginning of the jazz standard I Got it Bad (And That Ain't Good). I recently took a jazz course over the last year and for my final I had to arrange that standard. I think I got a lot out of that class.
Are you into any jazz at all?
How do you split your time at piano? What would be the perfect practice session?
Hey Sim, I had just reached out by email for a question on Impromptu #3. When playing, each note is written as is, correct? Instead of if an alteration was on the previous note, the alteration holds to the next note?
I've been going through your book lately with First Lessons in Bach. Revisiting Absolution and hopping around a few of your other pieces like January and Compline. Shelter, Coda, and Drift are on the backburner and I think I'll have to really give the time to Hush and Turn (Really have to give Turn a good chunk of listens... something about those 32nd notes!)
Absolution reminds me of the beginning of the jazz standard I Got it Bad (And That Ain't Good). I recently took a jazz course over the last year and for my final I had to arrange that standard. I think I got a lot out of that class.
Are you into any jazz at all?
How do you split your time at piano? What would be the perfect practice session?
Tips on avoiding distractions when practicing?
Thanks!